Antics

Making My Own Museum Display

So I landed a six-week Roman Society placement at the Corinium Museum. Three weeks in, and I have learnt an awful lot about the runnings of a small but successful museum, battling the modern day struggles ‘loss-making’ public buildings face. In my time so far, I have helped with Roman and prehistory workshops (from Roman board games and mosaic making, to stone age painting); handled collections data; made all important space in the resource centre; but perhaps most excitingly, made my own display.

The Corinium is currently undergoing massive HLF funded construction work for a new gallery: ‘Stone Age to Corinium’. In order to preset this, I created a preceding temporary display about the ‘Pre-Roman Corinium’. It was once thought that Cirencester existed before the Romans invaded Britain, but little did they know…

Bagendon is today a village 3 miles north of modern day Cirencester, however in the Late Iron Age it was an oppidum inhabited by a tribe called the Dobunni. Essentially, when the Romans settled at their Leaholme Fort set in new, straight roads (the basis of Cirencester), the Dobunni and the Romans hit it off. This was unusual, but there is no archaeological evidence of conflict. Therefore, the precise nature of their relationship is speculation: mainly around whether the tribe conducted trade with the Romans. Regardless, it is clear that Corinium was a via media between both the tribe’s and the Roman’s idea of a good town. Buildings such as houses, the amphitheatre, bathhouses and the Forum, arose around the Fort, so that when the Romans left, a town remained in its place.

Me setting up the objects in the display case ft. my weirdly oval head (10 points if you can spot the heist style plungers!)

After a good deal of research, I selected objects that reflected this story. I chose coin moulds that prove Bagendon was an administrative tribal capital. Gold, silver and bronze Dobunnic coins were found at the site, so I selected a silver coin with a three-tailed horse on one side, a symbol of Belgic tradition (following the Germanic invasion of Britain) . Additionally, pottery sherds were significant finds at both Bagendon and the Leaholme Fort. Samian ware was particularly interesting, as this is a distinctly Roman: The red, glazed decorative pieces would be used to show off at dinner parties. However, samian ware was also found at Bagendon; an insight into the kind of relationship the tribe and Romans shared. Moreover, small finds, such as nails, a tiny iron knife, and an intricate bronze pendant, physically show key objects the Dobunni would have handled day-to-day.

The final thing!

With a terrain map and a carefully selected text I put together, my display is now complete and (hopefully), being looked at by the public. The idea that my insight to the Pre-Roman Corinium is being taken in by interested people is highly exciting, and has reaffirmed why I chose to study history at university.

Antics

Hay Festival: 25th May 2019

Running from the 23rd May to 2nd June 2019, the picturesque market town Hay-On-Wye is hosting the Hay Festival for the 32rd time. This year notable appearances include Stephen Fry reading from his Mythos book; Maxine Peake reading The Mask of Anarchy; Lucy Worsley on her new book, Queen Victoria: Daughter, Wife, Mother, Widow; and Ian McEwan considering his new novel, Machines Like Me. However, my visit entailed two unlikely events that centred on unusual subjects that enlightened me in ways unexpected.

The distinctive white tents and colourful flags

The first event was from the man, the myth, the legend: Simon Schama. In a warm Ballie Gifford Stage, Schama looking into Rembrandt’s Eyes. He guided us through the 17th century Dutch painter’s landmark on art history in a lively and illuminating talk. Taking us through the peak and eventual trough of his life, we saw his generosity in art grow in the forms of a multitude of subjects: from his wife Saskia until her death, dissections and the nature of mortality, and the tortures of the female body.

Image result for rembrandt winter landscape
Winter Landscape, 1646

However, one particularly captivating piece has stuck with me. The first work Schama introduced his talk with was Rembrandt’s Winter Landscape. Admist the heat of the tent, the audience was transported to a chilly Dutch farmyard blanketd in snow. Working from sketches inside his studio, the movements of ink and a stick presents Rembrandt aptly; his simplicity in places, in the face of unconvinced critics.

Simon Schama at the Ballie Gifford Stage

Whilst I went into the Ballie Gifford Stage largely ignorant of Rembrandt, I left informed, inspired and a little in awe of Schama.

The second event I attended was hosted by cartoonist Chris Riddell and former laureates Julia Donaldson (known for Zog and the Gruffalo), and the one and only Michael Rosen. Having taken a Children’s Literature module last semester and coming out all the wiser for it, I listened to their spell-binding approaches to engage young children to literature. Riddell drew highly entertaining picture to illustrate his talking, Donaldson and her husband drew the audience together with musical sign language and Rosen’s familar voice ensnared the room with his entertaining stories.

Whilst this event concerned children’s literature, naturally there were many issues raises for adult consideration: the political hold over education. All three enthused their frustration over sharing ideas with numerous Secretaries for Education, albeit it falling on deaf ears. They believe exam questions are set up wrongly, especially from SAT level. They ask why an author writes about their character in such a way, when at A level or degree level, the author is detached from the work and it is only the persona that must be considered. Riddell being a political cartoonist made light of this, and the other recent events of late…

Chris Riddell, Michael Rosen and Julia Donaldson at the Wales Stage

In all, the Hay Festival once again succeeded in opening my mind to the importance of things I had been closed off to. I left the maze of tents and flags feeling inspired and invigorated by the voices of passionate people raising important points. I cannot recommend this literary festival enough: an unusual and eye-opening array of events. It has to date been attended by two American presidents over its three decades of running, it’s iconic white tents now host to over 250,000 visitors over its ten days.