Life update: My third year of university is done, all my assessment is done and my dissertation is submitted.
A finished dissertation
Having taken a break from this blog, wrapped up in the comings and goings of life, it seems like the world has hit the pause button. Now is the perfect time to return to this blog. I need some stability in a seemingly topsy turvy world, where I have to forge out a career in a world of COVID-19, uncertainty and recession.
Suddenly I am questioning a lot of things. I have been hit by a lot of responsibilities, even in the five days since I submitted my dissertation. However, this blog needs to keep my passions for creative writing and learning alive, creating a narrative for me at a time where I have to discover who I am.
Imagine a world flipped like a mirror. Women are men. The patriarchy as a matriarchy. That is exactly what Justin Audibert’s RSC Taming of the Shrew, currently on at the Royal Shakespeare Theatre, offers. What today is an uncomfortable play about gender roles and materialism, has been twisted into a truly modern reflection. Where Shakespeare addresses political concerns by setting them safely in Italy, Denmark, or even Scotland, Audibert challenges today’s gender preconceptions by setting The Taming of the Shrew in the Elizabethan period. No only has he created a production with numerous dynamic female roles, but revitalised a play that teaches women to obey their ‘superior’ husbands; by teaching husbands to obey their wives as counter-argument. This comes with As You Like It‘s openness with sexuality, and contributes to modern representation. It was also pleasing to see both deaf and disabled actors have visible roles.
Strong, visible women with an unsettling absence of men
With Claire Price as a beautifully messy haired and quirky ‘Petruchia’, and a near silent but present Joseph Arkley as Katherine, the play provoked a real sense of internal questioning for me. What begins as a love story between ‘Bianco’ (James Cooney) and ‘Lucentia’ (Emily Johnstone), twists to protangonists (or perhaps antagonists), Petruchia and Katherine. Their battle of wits becomes an ideal to aspire towards in the play. This uncomfortable notion has a strong flavour of unspoken dramatic irony as the play has an almost silent male voice: Whilst Grumio is expertly played by Richard Clews, he is still an underlying character subdued by the flambouyant Petruchia.
The male suitors all had long, silky hair – with many camp hair flicks appreciated by the audience – whilst the females had their curls pinned into crowns. A strong sense of identity came with clothing: men having typically floral attire, women using their colours to reiterate their identity and presence: Petruchia’s menacing green; Lucentia’s bold reds; Bapista’s powerful black. But the vivid presences added to the comedic nature of the play, Sophie Stanton’s ‘Gremia’ expertly gliding across the stage, dalek-like.
What better way to reflect on a play than over a Stratford-Upon-Avon waffle?
Once again, I find myself recommending this RSC production to you, which runs at Stratford-upon-Avon until August 31st 2019, until it tours in various places. It was a thoroughly illuminating experience and something I was and still am contemplating over: but where better to consider Shakespeare’s works than surrounded by his birthplace? Stratford never fails to be a vibrant day out!
So I landed a six-week Roman Society placement at the Corinium Museum. Three weeks in, and I have learnt an awful lot about the runnings of a small but successful museum, battling the modern day struggles ‘loss-making’ public buildings face. In my time so far, I have helped with Roman and prehistory workshops (from Roman board games and mosaic making, to stone age painting); handled collections data; made all important space in the resource centre; but perhaps most excitingly, made my own display.
The Corinium is currently undergoing massive HLF funded construction work for a new gallery: ‘Stone Age to Corinium’. In order to preset this, I created a preceding temporary display about the ‘Pre-Roman Corinium’. It was once thought that Cirencester existed before the Romans invaded Britain, but little did they know…
Bagendon is today a village 3 miles north of modern day Cirencester, however in the Late Iron Age it was an oppidum inhabited by a tribe called the Dobunni. Essentially, when the Romans settled at their Leaholme Fort set in new, straight roads (the basis of Cirencester), the Dobunni and the Romans hit it off. This was unusual, but there is no archaeological evidence of conflict. Therefore, the precise nature of their relationship is speculation: mainly around whether the tribe conducted trade with the Romans. Regardless, it is clear that Corinium was a via media between both the tribe’s and the Roman’s idea of a good town. Buildings such as houses, the amphitheatre, bathhouses and the Forum, arose around the Fort, so that when the Romans left, a town remained in its place.
Me setting up the objects in the display case ft. my weirdly oval head (10 points if you can spot the heist style plungers!)
After a good deal of research, I selected objects that reflected this story. I chose coin moulds that prove Bagendon was an administrative tribal capital. Gold, silver and bronze Dobunnic coins were found at the site, so I selected a silver coin with a three-tailed horse on one side, a symbol of Belgic tradition (following the Germanic invasion of Britain) . Additionally, pottery sherds were significant finds at both Bagendon and the Leaholme Fort. Samian ware was particularly interesting, as this is a distinctly Roman: The red, glazed decorative pieces would be used to show off at dinner parties. However, samian ware was also found at Bagendon; an insight into the kind of relationship the tribe and Romans shared. Moreover, small finds, such as nails, a tiny iron knife, and an intricate bronze pendant, physically show key objects the Dobunni would have handled day-to-day.
The final thing!
With a terrain map and a carefully selected text I put together, my display is now complete and (hopefully), being looked at by the public. The idea that my insight to the Pre-Roman Corinium is being taken in by interested people is highly exciting, and has reaffirmed why I chose to study history at university.
Today is the first day of my Summer. Ahead lies long stretch of four months until my final year at university – not at all daunting…! In lieu of a month of constant revision (and regaining mobility of my right arm from writing so much!), I would like to catch up on my somewhat neglected blog with a beautiful brownie recipe: an optimistic beginning to hopefully a good summer ahead. This a foolproof recipe that is guaranteed to yield amazing results!
Top tip: cut up your pieces better than I did!
Ingredients:
275g caster sugar
185g unsalted butter
85g plain flour
3 large eggs
(and the exciting bit:)
185g good dark chocolate
50g white chocolate
50g milk chocolate
40g cocoa powder
Painfully unevenly cut: an example of how not to cut up your brownies!
Method:
Cut the butter into small cubes and break up the dark chocolate into small pieces. Tip both into a medium sized bowl. Fill a saucepan with water so it does not touch the bottom of the bowl when they are stack on top of each other. Heat the water on a low simmering heat. Stir the butter and chocolate occasionally as they melt into one another. Remove bowl from the pan and leave the mixture to cool to room temperature.
Meanwhile, prepare your owven by turning it to gas mark 4/180C/160C, and line a shallow 20cm tin with greaseproof paper (I used my round loose-bottomed cake tins but normal people who can take things out of tins competently probably use square tins!).
Next, sieve out the flour and cocoa powder together into a fresh bowl.
Then chop the white and milk chocolate into chunks – ready for a later stage.
With a third bowl, whisk the three eggs and caster sugar together with an electric mixer on the highest setting. Stop when they look like a thick, creamy milkshake. This will take no longer than 8 minutes but may be faster and took no more than 3 minutes depending how pwerful the whisk. The mixture will be double its original size, pale and creamy. Be careful not to overdo it as you will risk knocking the air out.
Pour in the cooled chocolate and butter mixture and gently fold in with a figure-of-8 motion, taking great care not to knock air out. Make sure to reach the sides of the bowl. The resulting mixture will be a dappled brown colour. Do not rush this stage: be slow and gentle.
Resieve the cocoa and flour over this mixture so it covers the whole thing evenly. Do the same gentle folding as before, making sure to eradicate pockets of the dry ingredients. At first, the mixture will look disheartening and dusty (but you’re on the right track!). In the end, it will be fudgy mixture. Again, do not overdo this and stop before you think you should.
Gently stir in the white and milk chunks of chocolate.
Pour the mixture into the prepared tin, gently easing it into all areas of the tin and leveling it to a smooth level. Put into the oven for 25 minutes. At the end of this time, check the middle does not wobble. If so, bake anouther 5 minutes. There should be a parpery crust and the sides will have moved away from the tin’s edges.
Leave to cool and cut into squares, triangles or even dodecahedrons should you desire.
Three reasons you should visit a ruin site near you this summer:
They are usually free!
You will learn something new
It is a brilliant way to unwind
As a history undergrad, one of the ways I like to relax is by visiting local ruins. You’ll be surprised by how many historical sites reside unnoticed near you: monasteries, castles and estates lying fornlorn from their former glory. They can be a beautiful way to unwind and remember the past of the place you live. These are my top three ruins sites I have visited this year:
Netley Abbey
13th century monastery and church in the village of Netley placed in the Royal Victoria Country Park. It is neatly set next to the Southampton Water estuary and proves for a neat place to sit after walking around the abbey.
Changes are mainly in brick, whilst the original abbey is in stone
Founded in 1239 by the Bishop of Winchester as a home for the Cistercian order, it currently stands as the most complete surviving abbey. Almost all the walls of its impressive church at the back remain, alongside its monastic buidings. Henry III was patron of the abbey. It was home to 15 monks and 30 lay brothers, officials and servants.
The building was converted to a fashionable Tudor house after the Dissolution of the Monasteries by Sir William Paulet, 1st Marquess of Winchester. Reusing the abbey ruins, he built a Tudor courtyard house fit for his standing. The courtyard replaced the cloister, and Paulet demolished the monk’s refectory for a grand turreted entrance. These changes are mainly in brick, whilst the original abbey is in stone. Most of the brick renovations were removed by the Romantics.
The Gothic ivy-covered church at the back of the former abbey inspired Romantic figures
This conversion was stripped back as in the 19th century the abbey in the woods became a celebrated medieval ruin by Romatic writers and poets. The ivy-covered abandoned site inspired authors and artists such as John Constable, Horace Warpole and even Jane Austen, who is said to have drawn her ideas for Northanger Abbey here.
Minster Lovell Hall and Dovecote
The ruins of the Tudor Manor House in Minster Lovell along the River Windrush
These Oxfordshire ruins of a 15th century Manor House stand besides the River Windrush. The traces of the impressive fine hall, dovecote and four-storey tower remain. This makes for a picturesque walk through the beautiful thatched roofs of the Minster Lovell village, the church, and along the wooded bank of the Windrush.
The impressive ruins of the four-story tower
Built in 1430s by the wealthy Baron of Lovell and Holland, the house was a manifestation of his good fortune. After the defeat of the House of York at the 1485 Battle of Bosworth, it was owned by Richard III’s ally, Francis, Viscount of Lovell. After renovations, the hall was neglected and later demolished in the 18th century for building stone.
The East and West kitchen wings were demolished for building stone
Titchfield Abbey
Wroithesley’s gatehouse across the monastery’s front
Located in Farnham, Hampshire, Titchfield is a medieval abbey, later used as a country house by the 1st Earl of Southampton. Built in the 13th century, the abbey housed Premonstretensian canons. They served the local community as priests and lived communally like monks. Henry V stopped here in 1415 prior to his famous expedition to France. This dissolved in the 1536 Suppression of the Monasteries.
Henry VIII gave the abbey to Sir Thomas Wroithesley as a reward for his key part in enacting his Protestant policy. who transformed the building into a grand mansion, Place House, in 1537. He notably built the large nave as a gatehouse across the front (pictured). It hosted numerous impressive guests, including Edward VI, Elizabeth I, Charles I and wife Henriette Maria. Henry, 3rd Earl of Southampton, was Shakespeare’s patron and some of his plays might have been first performed here.
Archaeological excavations revealing the monastery’s layout
After the death of the 4th earl of Southampton, Titchfield passed through several families. However in 1781, most of the building was demolished for stone. 20th century archaeological excavations revealed the original layout of the monastery.
So, grab your coat and see what your area has to offer!
Running from the 23rd May to 2nd June 2019, the picturesque market town Hay-On-Wye is hosting the Hay Festival for the 32rd time. This year notable appearances include Stephen Fry reading from his Mythos book; Maxine Peake reading The Mask of Anarchy; Lucy Worsley on her new book, Queen Victoria: Daughter, Wife, Mother, Widow; and Ian McEwan considering his new novel, Machines Like Me. However, my visit entailed two unlikely events that centred on unusual subjects that enlightened me in ways unexpected.
The distinctive white tents and colourful flags
The first event was from the man, the myth, the legend: Simon Schama. In a warm Ballie Gifford Stage, Schama looking into Rembrandt’s Eyes. He guided us through the 17th century Dutch painter’s landmark on art history in a lively and illuminating talk. Taking us through the peak and eventual trough of his life, we saw his generosity in art grow in the forms of a multitude of subjects: from his wife Saskia until her death, dissections and the nature of mortality, and the tortures of the female body.
Winter Landscape, 1646
However, one particularly captivating piece has stuck with me. The first work Schama introduced his talk with was Rembrandt’s Winter Landscape. Admist the heat of the tent, the audience was transported to a chilly Dutch farmyard blanketd in snow. Working from sketches inside his studio, the movements of ink and a stick presents Rembrandt aptly; his simplicity in places, in the face of unconvinced critics.
Simon Schama at the Ballie Gifford Stage
Whilst I went into the Ballie Gifford Stage largely ignorant of Rembrandt, I left informed, inspired and a little in awe of Schama.
The second event I attended was hosted by cartoonist Chris Riddell and former laureates Julia Donaldson (known for Zog and the Gruffalo), and the one and only Michael Rosen. Having taken a Children’s Literature module last semester and coming out all the wiser for it, I listened to their spell-binding approaches to engage young children to literature. Riddell drew highly entertaining picture to illustrate his talking, Donaldson and her husband drew the audience together with musical sign language and Rosen’s familar voice ensnared the room with his entertaining stories.
Whilst this event concerned children’s literature, naturally there were many issues raises for adult consideration: the political hold over education. All three enthused their frustration over sharing ideas with numerous Secretaries for Education, albeit it falling on deaf ears. They believe exam questions are set up wrongly, especially from SAT level. They ask why an author writes about their character in such a way, when at A level or degree level, the author is detached from the work and it is only the persona that must be considered. Riddell being a political cartoonist made light of this, and the other recent events of late…
Chris Riddell, Michael Rosen and Julia Donaldson at the Wales Stage
In all, the Hay Festival once again succeeded in opening my mind to the importance of things I had been closed off to. I left the maze of tents and flags feeling inspired and invigorated by the voices of passionate people raising important points. I cannot recommend this literary festival enough: an unusual and eye-opening array of events. It has to date been attended by two American presidents over its three decades of running, it’s iconic white tents now host to over 250,000 visitors over its ten days.
With exams fast-approaching and revision slowly taking over my every hour, I have neglected this eclectic blog posting – Have no fear, I have many exciting posts planned post-exam!
However, on the topic of exam stress, I have found baking to be a useful therapy. It makes for a nice distraction to seven hour chunks of revision. Taking half an hour to whizz up some batter, fifty minutes revision, ten minutes to decant/ice and a tasty study snack as a reward. Granted, I have had to balance all this with early morning gym sessions and evening swims. But interpersing my revision with some carefree baking has been a godsend. So here is a quick and simple recipe I can wholeheartedly recommend should you too be revising, very busy or just want a carefree, enjoyable activity to offset your day!
A Good Ol’ Classic Victoria Sponge!
Stable Baking Classic
For this cake, I followed a simple Victoria sponge recipe. I jazzed things up by turning it into a marble cake. This is really simple: I separated the batter in half and added about a tablespoon of cocoa powder and a glob of golden syrup to one, and a dash of vanilla extract to the other. I spooned each mixture alternately into the two circular loose-bottomed (ay-ay) tins, and did a rough feathering.
Ingredients:
Sponge:
200g caster sugar
200g butter (leave out for about ten minutes before measuring)
200g sifted self-raising flour
4 softly beaten eggs
1 TEAspoon of baking powder
2 TABLEspoons of milk
Optional: (for marble cake)
Drop of vanilla extract
Glob of golden syrup
Tablespoon of cocoa powder
Icing/Filling:
140g sifted icing sugar
100g softened butter
Drop of vanilla extract
Some jam for the filling (or your preference – lemon curd works equally as well!)
Method:
Preheat oven to gas mark 5 or 170 Celsius. Butter two sandwich tins (I use 20cm loose-bottomed ones). Line with baking paper is desired but personally baking paper and I aren’t friends.
Using your largest bowl, whisk together the caster sugar and eggs. Then add the flour, baking powder, milk until you have a smooth batter. Be careful not too over-whisk, as the eggs will separate slightly.
If you are after a marble sponge, separate half of the batter into another bowl. In one, add the cocoa powder and golden syrup, and in the other add the vanilla extract. Spoon alternately into the sandwich tins. Pulling a skewer through a few times for a fathered look.
Otherwise, add the vanilla extract into the plain batter and spoon into the two sandwich tins. You’re looking for a more-or-less even top, so spoon down with a spatula or knife. Bang the tin into the kitchen surface a couple of times.
Bake for 20 minutes, until golden brown. The sponge will spring back when pressed and an inserted skewer/fork should come out clean. Take out of the tins carefully and place on a cooling rack as soon as possible. Leave to cool through.
For the filling, whisk together the butter and sifted icing sugar. Add the vanilla extract. Spread your jam/alternative over the top of one sponge. Then spread the filling on top. Sandwich the two together and start to spread the icing on top of the other sponge: decorate as desired (I used walnutes going spare around the edges of mine!).
I jazzed things up by turning it into a marble cake
Very tasty classic that did not last two days in my house! I hope you enjoy too, and happy de-stressing!
15:05: It is the first day back after the long Easter weekend. I feel glad to be here again, hopefully this week, with everyone returned from the Easter break, there will be loads to do.
Today, after finishing that first manuscript (by the skin of my teeth might I add!), I have reached just about halfway through the next manuscript on my desk. I will write another practice submission report after finishing it just to fill the time until more work comes my way. It is about British Intelligence dealing with terrorist attacks. Although eye-opening, I have not made my mind up about it yet. It features a strong female narrative, a bit of a female James Bond bad-ass. I am excited to see how the story pans out.
Being the beginning of a new week, some work experience people have sadly left, but new work experience people have begun. I sent out an email inviting them to have lunch with us. It is really interesting to hear what brought them to apply with the work experience. I find that I, as a second year undergrad student, am one of the ‘younger’ ones. Many have applied in their third year (mid-dissertation deadline season!) or have already graduated. Nevertheless, I am glad to experience this now: I am still in two minds over what to pursue after graduation.
For the rest of the day I am keeping an eye on my emails and finishing off this manuscript. I find that I can now read much faster whilst still taking in all the detail and nuances the author has woven in. Time well spent!
Pulp shelf books: ‘The Anniversary’ by Hilary Boyd and ‘The Smoke Thieves’ by Sally Green
Day Two: 24/04/2019
It is 15:48, and it has been a quiet day. I finished off the second manuscript and wrote a submission report on it. Although I found the graphic terrorism difficult to read at first, the espionage plot really pulled through. I think it would make a really exciting book, with potential to become a series. I have found that my speed reading has gotten much better. Reading in an office environment has made such a difference. Submission reports are fu to do. Reflecting on book in this new way has been a good insight to way publishers see manuscripts.
I spent lunch with the new work experience people. They seem to be settling in well. I simply cannot believe that I only have TWO more days after this. What is time? I will be sad to go. Work experience has been an informative and eye-opening opportunity to see how a top publishing house operates. I am definitely considering the internship. It would be a good chance to be more involved in long-term projects.
Pulp shelf books: ‘Dear Evan Hansen’ by Val Emmich and ‘The Swimming Pool’ by Louise Candlish
Day Three: 25/04/2019
13:59. So far it’s been another quiet day. Again, keeping one eye on my inbox, I await a new task to sink my teeth into; contributing some small piece to the team busily preparing all sorts of exciting projects around. Whilst I’m waiting, I’m keeping myself occupied.
This morning, I typed up my notes from the two meeting last week. Going back over what the Production and Editorial teams do has been a reminder as to what everyone is working towards here. It’s exciting to think that all the small tasks I have been involved with do fit into the wider picture. I think that prefer the content of the editorial process. It’s creatively involved and engages most with the reasons why I decided to embark on an English (and History) degree. Still, to become an editor is a slower process, and I think after this experience that is something I might bear in mind.
I have also started to read another submission. This one engages more with my historical interests, the Early Modern period. Having only read the first forty pages it’s hard to be certain but I think it’s a good one. Maybe I will meander over to the coffee machine whilst I read on…
15:22: I have an update! I received an email asking if I could pick up a bound proof from the printers just down the Strand. A nice bit of a walk to break up the day! I am really getting into the manuscript. The author has combined history and fiction well, accurately exploring key historical figures. I am beginning to get glued, so I will keep you updated!
Pulp shelfbooks: ‘One Day in December’ by Josie Silver and ‘Seven Letters’ by Sinéad Moriarty
Day Four: 25/04/2019
It’s already 12:52 and I cannot quite believe it’s my last day. Granted, with the Easter holiday sandwiched between my two weeks of work experience here, it has been shorter than usual. But it does make me wonder how fast the days will tick by when I have graduated and am working ‘for real’.
So far I have checked the inventory, including the ever mounting piles of boxes. After having alphabetised the spreadsheet, it all felt satisfyingly organised. In between I have been continuing to read the manuscript. But I have just been emailed a task I can crack on with. Looks like aother busy day! Signing off for lunch!
15:33: Just finished researching an author’s attendance at festivals in order to find quotes from authors on their new book. I couldn’t find as many attendances as I would have liked, but hopefully it serves as some use. I have grabbed another hot chocolate and hope to squeeze another one in before 5:30. It was bittersweet saying goodbye for the final time to the work experience people. It’s been a reassurance/point of contact to talk with them all for an hour every day, hearing what all the other departments are getting up to.
My time here has been a fantastic experience. Even through the lulls of work, I feel like I have really got a sense of not only the day-to-day running of an office, but what it means to work in a publishing house. Editorial staff work very hard, paying such close attention to detail in order to produce the best they can. I didn’t quite know what to expect when I first received my work experience confirmation email, but I have come out the other side all the better for it (and a little dazed at how the time has shot by!).
I think now I will keep another eye on my inbox (who knows, that health and safety email might pop up!) and read through that manuscript.
Over and out!
Pulp Shelf books: ‘The Break Line’ by James Brabazon and ‘The Safest Lies’ by Megan Miranda
So I am sitting here at 15:45 typing at my desk at Penguin Random House on work experience! I have (after a few calls to IT…) set up my login, printers, work experience file and email signature. The morning negotiating the trains and tubes seem like an age ago, in a very good way. Waiting in the Victoria Embankment gardens until 9:50 to enter 80 Strand and find the Penguin Reception couldn’t have been this morning. There I met the other work experience people nervously fidgeting couldn’t have been this morning. There I struck up a conversation with like-minded people: all typically English students (although usually with History, like myself, Creative Writing and even Publishing). After what seemed like an hour (got to love unnecessary nerves!) our mentor collected us and took us through to a meeting room. We had our anxieties calmed by a few slides and then commenced the, what I now appreciate as renowned, awkward short story task. We built a Christmassy story about an older brother called Chris, pranking his younger brother Noel with a snowball fight around the word ‘snow’.
After which, we were separated into those going off to Vauxhall Bridge and Ealing, and those of which were stationed here at the Strand. Those of us left were dropped off around the office. Here I was greeted by a fiction editorial assistant, who then showed to my desk. Later, my mentor took me on a tour around the office. It took me a while to set everything up after battling with a few computer issues (I have a tech curse!). I was somewhat twiddling my thumbs for something to do, mainly awaiting the health and safety assessment when I discovered two manuscripts on my desk. Expectantly keeping half an eye on my inbox, I started to read the first. I have no idea whether it has been approved, but after sceptically and critically reading the first forty pages, I’m in. As there seem to be little to do, I am tempted to read it all and write up a submission report for practice/in case it needs to be done.
At 13:00 all the Strand work experience people met at the elevators for lunch. It was really quite reassuring to catch up with the other newbies and hear from the second week guys. We trawled through the pulp shelf together, an exciting time for everyone.
Having reached 16:00 writing this diary entry, I still have no emails asking for tasks. I hear things are slow here at the moment and I am happy just settling in today to ease the nerves. Everyone seems lovely and focussed on getting their ‘to do’ lists conquered. I am hooked on this manuscript so I will definitely continue to avidly read through it. Signing out!
Pulp shelf books: ‘A Girl on the Cliff’ by Lucinda Riley and ‘Unexploded’ by Alison Macleod
Day Two: 16/04/2019
It is 13:59 and I have just come back from lunch with the other work experience people. It continues to be a reaffirming catch up to hear what’s going on in the other departments. It has been a slow day for everyone, perhaps partly due to it being Easter and several persons being away to look after children on their school holiday.
This morning I had a bit of a struggle to get in. There was a signalling issue for the trains between Slough and London Paddington, a connection I take after coming from Windsor and Eton Central, where I am currently staying. Fortunately I was early and could take a train that was not cancelled five minutes after the one I would have taken. It was extremely overcrowded. I was still half an hour early, however I believe all later trains were cancelled. From this, I am going to continue allowing extra time to commute into London. After all, the Victoria Embankment garden is a lovely place to sit and just breathe after the long trip.
I have been updating text on jacket copies with the Biblio 3 system. The Biblio 3 software is a combination of Penguin’s Biblio and Random House’s B3 after their merger. I updated the text on book covers into the system after they were circulated into the editorial, publicity and sales teams working from a spreadsheet. Now I can continue reading the manuscript. I have completed the practice submission report already. I was pleased to discover the book is being released in two days: Keep your eyes peeled for ‘The Evidence Against You’, it’s a real page turner!
Yesterday, I got home at 20:00. This was due to overcrowded trains I could not board, impacting my connections. Nevertheless, I have an 8 o’clock Bounce class this evening I am determined not to miss: Wish me luck!
UPDATE: I received an email! I was asked to extrapolate four/five pieces of advice from a very empowering self-help book very recently published that need to be promoted. After toning down the butterflies at my first task, I skim read the book and selected a few chunks of words that spoke to me. I ended up with way more than four/five tips. Narrowing them down was difficult, but I hope what I came up with helps.
Pulp shelf books: ‘One Thousand Stars and You’ by Isabelle Broom and ‘Us Against You’ by Fredrik Backman
Day Three: 17/04/2019
10:08: In spite of the trains, I came in a little early this morning. The announcer at Slough station warned of underground services being disrupted; everyone on the platform groaned. Fortunately, at least for me, this applied to the Circle and partially the District lines. The Bakerloo was less crowded today so I could take the first one that came. I arrived forty five minutes early. Once again, I took advantage of the Victoria Embankment Gardens to take some time to myself before the day. I am a little tired after the Bounce class yesterday, mostly due to rushing for the earliest trains I could catch. Otherwise, the class was such fun and a great way to loosen the body when you are sat at a desk all day.
I am thoroughly enjoying the environment here at Penguin. Even if its quiet at the moment, I feel like each day I am achieving something: even if its working out the Biblio 3 system and updating cover jackets, reading unreleased manuscripts, or discovering the fabulous hot chocolate! Everything is for an exciting end and I cannot wait to see what the rest of the day brings!
15:29: This morning I adjusted the pieces of set advice from the book I started yesterday. I made the tips more subject specific. I have been absorbed in continuing to read the manuscript that was left on my desk. As its being released tomorrow, I am determined to finish it by today. It’s really poignant and I am so glad it was approved to be published. Let’s see what tomorrow brings…
Pulp shelf books: ‘My Sister Milly’ by Gemma Dowler and ‘Two Can Keep a Secret’ by Karen M. McMagnus
Day Four: 18/04/2019
16:49: Today has been busy. I am sure it has been a walk in a park compared to everyone else I am sitting next to, but I have been non-stop. It started with emailing my host asked to have the Michael Joseph shelves pointed out to me. As it transpired, the shelves are crammed full with boxes, so I had considerably more to inventory than anticipated. After what could well have been over an hour, had counted all the books up and started to organise them alphabetically by the author’s surname: very satisfying once it was all finished.
As the office will be closed for the Easter long weekend, it is the second week work experience people’s last day. We spent the second half of the lunch hour outside in the Victoria Embankment gardens opposite the building. Unfortunately the building is all wrapped up in scaffolding so we couldn’t see how beautiful it is. The first week has gone so fast and I can’t quite believe we will be helping new work experience people next week!
In the afternoon we, all the work experience, were scheduled two meetings. The first detailed the function of the production team, the second outlined the editorial process. It was really informing and I made lots of notes. By the end of the meetings I could appreciate what goes into the end product of a book: from the technical tweaks of the colour of images, jacket design and cover materials, to the sculpting of the novel concept, plot and the technicality of individual sentences. I feel more informed in what publishing involves, and in particular the steady process of rising from editorial assistant, editor assistant to editor. I have a lot to mull over. I am so pleased to have had the opportunity talk about these roles with the very people themselves.
I am aiming to FINALLY finish off this manuscript. I am very near the end and will be thoroughly disappointed if I don’t know how it ends until Tuesday!
Pulp shelf books: ‘The Evidence Against You’ by Gillian McAllister and ‘East of Croydon’ by Sue Perkins
So, for the past two weeks I have unbelievably been working at Penguin in the Michael Joseph editorial department. I cannot believe my fortnight there is over already and I still have to pinch myself that it happened. It was such an enriching and fulfilling opportunity and I cannot recommend it enough to anyone who might be considering a career in publishing. I plan to post my work experience diary on here at some point, but this is how my first day went…
I have unbelievably been working at Penguin in the Michael Joseph editorial department
6am. My phone blasted out the Today Programme and I sat bolt upright in bed. Today is the day. Feeling the twinge of butterflies in my stomach, I pulled on the clothes I laid out the night before, brushed my teeth, slapped on some make-up, and headed out the door. The journey in was remarkably smooth: Windsor and Eton Central to Slough, Slough to London Paddington, the Bakerloo line to Charing Cross: Charing Cross to 80 Strand. Well, after an excited half an hour in Victoria Embankment Gardens, having arrived far too early. As I nervously sat on a park bench watching commuters rush by, chewing on a cereal bar, reality set in. Ahead of me lay two glorious weeks of working at Penguin right in the heart of London.
An excited half and hour in Victoria Embankment Gardens, having arrived too early
At 9:40 I walked in to 80 Strand offices to the Penguin reception desk, still ten minutes early. After barely getting my name out, I was printed off a pass and joined the group of apprehensive looking people. There was an awkward silence, something I am very bad at sitting through. My heart in my mouth, I asked the girl sitting next to me whether she was here for work experience too. A conversation escalated from there, other people around us joining in. Feeling a little more confident, someone came down to collect us. It was finally happening!
We were briefed about the company, the various departments and roles we had signed up for. Then came the obligatory awkward ice breakers. From a single word, we were to come up with a short story using details about ourselves. Our group devised a story about two brothers in Australia waking to snow on Christmas day, the older one pranking the younger, but feeling bad so he gave him one of his own presents. Clearly a literary masterpiece! Soon we were dropped off at our various areas. I was shown to the editorial desks at Michael Joseph. From here, my mentor gave me a tour around the building, introduced me to a few people and then showed me my desk. Sitting down at it, my starter to-do list in hand, I had to pinch myself. I was really here, in Penguin, at a desk! My two weeks really had begun.
For the most part of the morning I was calling IT (I think they probably know me on a first name basis!). As computers seem to be my archenemy, I was a little nervous to be left alone with one. Nevertheless, I set everything up and felt of a whizz. I had a username, an email, an email signature, the printers all connected up: you name it.
At lunch, all the first and second week work experience people met to eat together. Everyone got to share what’s going on in their various departments, their experiences. I could gather what marketing and publicity, design and editorial teams in other departments were like. Every department at Penguin very much has its own style. But even sitting having lunch with like-minded people in the same position was an opportunity in itself and a lovely part to the day. After lunch, we headed to the pulp shelf. Here, all the unneeded or unloved books are placed to pursue and take home. A definite hotspot to visit!
The pulp shelf: a definite hotspot to visit
Then my first proper job: A submission report for the manuscript sitting on my desk. All four-hundred-and-twenty-one pages of it. Honestly, I am not the fastest reader. Every night that J K Rowling dropped a Harry Potter book, my sister would stay up until the morning to read it. I, on the other hand, take days to read a book. I like to savour words, reread sentences after finishing a page, going back over sentences in the light of other ones later on. So being at a desk surrounded by busily working people, I was determined to try this speed reading lark. Between various tasks (inventory, emails, extracting information from books, and trying the top notch hot chocolate), I read the book in three working days. The next manuscript I would read took me one.
From Day One, working in an office, at Penguin, has taught me so many things. Organisational skills, time management, speed reading, encountering new software (Biblio 3): Even experiencing the London commute. Moreover, to grab opportunities that come my way no matter how nervous about them I feel. I have had an optimum insight to a career I am interested in at a leading publishing house. Two weeks go by all too quickly, but spending it at Penguin work experience has been very fulfilling and something I could not recommend enough.
Adventures of Captain Hetty 